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The Installation Concept of the Theo Jansen Exhibition

Japanese landscaper Eiki Danzuka worked alongside Dutch artist Theo Jansen to establish the arrangement of the "Theo Jansen Exhibition." The installation of Jansen's works in the space captures both the natural setting of Oita and the Dutch landscape.

The exhibition has been structured into three zones: sea, life, and forest. This allows visitors to experience the evolution of the Strandbeesten ("Beach Animals").

"Just as the natural scenery of faraway Holland and Oita are connected by horizons, so are all living things connected. To express these "lines" of connection, we have inscribed various information such as words, photographs, and images between the show's entrance and exit, at a height of 145 cm (the eye-level of a Japanese person)."

The purpose of the installation is to guide the visitors through a natural evolution where the "animals" are represented by everyday material. Here is how the designers describe the exhibition process:

"Theo Jansen's Strandbeesten are giant structures assembled exclusively from everyday materials available in DIY shops in the Netherlands such as plastic tubes: when wind blows into them, their many legs move dextrously, enabling them to walk. These lifeforms possess a mysterious appeal and continue to evolve at the hands of Mr. Jansen. The Beach Animals have traversed the oceans of the Netherlands to arrive in the forests of Oita. Earthscape has added various features to the space using the earth itself: sand, driftwood, and flora from Scheveningen in the Netherlands, as well as pine cones collected in Oita."

From the Sea to the Forest
A pack of Strandbeest come from the sea into the forest. They live by eating wind on the beach, and over the years undergo evolution. The forest and the sea share a connection as a single life form. The forest acts as a natural dam to protect against river flooding and droughts, and brings nutrients to the sea to help its phytoplankton and marine algae grow, and its fish prosper. Without the forest, the sea cannot exist. Just as humans evolved from the ocean, the Strandbeest, too, may leave their beach and begin an evolution into the forest.

Sea & Forest
Sea is a place where you can sense the beach and the wind. It is a zone where those Strandbeest who became extinct during the course of evolution stay. A bed of white sand has been installed on one side of the exhibition space, displayed alongside seashells, driftwood, and flora from the beaches of Scheveningen. Life is a zone where visitors learn about the process of making Strandbeest, and where children blow life into Strandbeest through straws(plastic tubes). And finally, Forest is a zone where you can watch the Strandbeest move, with the forest of the Ueno Hills in the background. Pinecones, tree branches, and bamboo have been carried in from the forests of Oita, and the Strandbeesten begin their journey to the forests of Ueno.

Horizon -> Landscape Connecting the Sea to the Forest
We drew a line, about eye-level, on the wall. The line appears in the space in various forms; at times as text, at times as the outline of a landscape, and at times as the level of water. The line presents many kinds of information, including information on the Strandbeest, the wind and forest, and the nature of Oita and the Netherlands. It indicates the horizon of Beppu Bay that would otherwise be visible from this location.

Images of the Theo Jansen Exhibition

Photography: EARTHSCAPE/Yusuke Komatsu and Shin Suzuki.

Siamesis (standbeest) | Theo Jansen from Neppod on Vimeo.


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